Goodbye Romance

thejotaku:

ANATOMY TIPS

I was doing a bit of an anatomy study on my livestream and was asked to please post it. 

  • The crotch is the halfway point of the body from top of the head to bottom of the feet
  • Shoulders to hips = hips to ankles
  • Elbows rest at the waist line
  • Wrists rest at the crotch line
  • Shoulders and breasts/pecks should always be parallel, no matter what angle the shoulders are at
  • With boob placement, keep in mind where the collar bone, ribs, and shoulders are.  Breats have muscles that connect to the arm—hence why lifting an arm also lifts the breast corresponding with it.
  • Feet are the same length as your elbow to wrist.
  • There are two bones in the knee; the cap and a smaller one below it.  You CAN see them and adding that subtle detail is a really nice touch!
  • When drawing eyes, keep in mind that you should be able to fit the width of an eye between them
  • The face is broken down into thirds; hairline to eyebrows, eyebrows to bottom of the nose, bottom of the nose to chin
  • The halfway point of the head is at the eyeline
  • The mouth is 1/3rd of the way from the bottom of the nose to the chin
  • Ears are from the top of the eyes to the bottom of the nose
  • When drawing a 3/4th view of the face, do NOT MAKE THE FURTHEST EYE SMALLER — the perspective is too small to be noticeable unless you are doing extremely accentuated/warped perspective.  The eyebrows, top of the eyes, and bottom of the eyes should all be parallel regardless of the face’s angle.  The only differences should be the widths; front eye should be wider than the further eye.

Knowing the rules to anatomy is important!  Once you learn them, then you can break them. ( ≖‿≖)*

jaramo:

heyo!
don’t worry, your english turned out fine, dude.

as a foreword of warning,
it is best that you don’t use this post as a standalone tutorial, 
instead, try to use it as a study aid to help you make sense of real-life references.
(same applies for any decent “art tutorial” out there, really. :p)

bolded numbers correspond to the numbers on this post’s pictures.

Read More

pigeonbits:

Color palette tutorial time!

This is by no means the Only Way To Pick Colors—it’s just a relatively-simple method I use sometimes.  I’ve found it works pretty well, almost regardless of what colors you pick—as long as you can keep them organized by those light/dark warm/cool categories, and make sure one category takes up a significantly higher proportion of page space, it usually turns out pretty good!

I was wanting more Lolita type blouses! It's hard for me to find them in my size because I have such a large bust. Thanks again! I went through your tag for the suspender skirts and found a few things I like. Thanks again!!

plussizetaobao:

ok here are some links of things I have found that should be helpful to you. Here are the blouses I have posted myself 

x x x x x x x (one of those links is for a shop called boguta. that is a good store but if you find anything you like just search the store for more options)

this is the search term for lolita shirts: lolita衬衫

Lots of lolita shops that just do basic blouses/copies of blouses will do custom sizing so just search around and find things that work for you

This is the search term for custom lolita : lolita定制

but that pulls up a lot of dresses but just in case you wanted to see!!! 

uneditededit:

Character Motivation and Consistency:  
So lets take a moment to talk about character consistency.  This is something that I find a lot of people have a hard time with and a lot of it has to do with the actual development of the character in itself.  When making a character, we pick out traits and experiences that define our character.  All of these things including flaws and talents are important but something that people tend to forget with picking out a character is what their motivation is.  

Author Orson Scott Card reminds us “We never fully understand other people’s motivations in real life.  In fiction, however, we can help our readers understand our characters’ motivations with clarity, sometimes even certainty. This is one of the reasons why people read fiction—to come to some understanding of why other people act the way they do.”

Why is Knowing Motivation Important in Writing?:
This essentially, explains to us why characters act the way they do.  Choices are determined by the motivation of the character.  They are a guide in the choices they make because where they want to go or what they want determines what choices they are going to make.  Very very VERY seldom does anyone make a choice at random. By knowing your characters primary motivation, the choices that they make will remain consistent (Even if they are not the ‘right’ choices.  
Basic External and Internal Motivations:  

EXTERNAL: Bold-face is obverse aspect (stuff in parens = goals, effects, or other association)
Survival/safety; Fear of the world (food, water, escape from danger)
Physical comfort; gluttony (shelter, warmth, good food, health)
Pleasure; hedonism (sex, great food, culture, games)
Dominance; tyranny (power, social standing, competition, respect)
Acquisitiveness; greed (wealth, materialism, collecting, excellence)
Curiosity; voyeurism (learning, searching, investigating)
Mastery; perfectionism (excellence, conquest, discipline, achievement)
Reproduction; profligacy (children, creativity, family-building)
INTERNAL:
Autonomy; isolation (self-sufficiency, freedom, non-confinement)
Affiliation; conformity (security, cooperation, loyalty, clan)
Love; lust/ownership (connection, passion, sex, mirroring, approval, giving)
Revenge; justice (righting wrongs, recognition of grievance, vengeance)
Guilt; denial of guilt (responsibility, shame, punishment, redemption, forgiveness)
Identity; self-centeredness (self-esteem, self-knowledge, self-protection)
Surcease; conflict avoidance (peace, escape from anxiety, death)
Spirituality; fetishism (religion, transcendence, transformation)
Growth; decay, aging (learning, maturation, wisdom)
Ambition; insecurity/anxiety (fear of failure, inferiority, stress)
Vindication; rationalization (success, proving self, apology)

The Difference in between a Goal and Motivation:

The goal is like the flower… the motivation is the roots.
The goal is the outward manifestation of the motivation. It is concrete, measurable, and specific. You don’t know when you’ve fulfilled the motivation: “I want success” isn’t measurable– what’s success?  But you know when you’ve achieved a goal:  ”I want to be on the New York Times bestseller list–” That’s measurable. You’ll know when you reach it.
Just keep in mind that while the goal is the external manifestation of the motivation, the connection is not always a straight or clear one.  You can have a goal that is destructive and against your true motivation– “looking for love in all the wrong places” is an example. Or you can have a laudatory goal for a selfish or twisted motivation– “I want to be first in my class to show my father up!”
Motivation is the past; Goal is the future; Conflict is the present.

Distinguish between MOTIVATION and ACTION:

Remember that motivation exists to inspire the character to make choices and take actions.  If you’ve been told your protagonist is “too passive”, it’s likely what’s lacking is motivation that leads to action. 
Every action, however small, should be motivated.  If the motivation is obvious, then you might not have to show it (we assume that she’s running from that tiger for survival). 
Compare the external (obvious) motivation to the goal and/or actions.  If they don’t match, an internal motivation is probably in force. What hidden desire or fear is influencing actions? An alternative reason for motivation/action mismatch: You’re trying to make an original character act in stereotypical ways.
And keep this in mind: Heroism and villainy are in the action, not the motivation.  Heroes do heroic things, they don’t just intend to do them.  And villains do bad things even if they have the best of intentions.

Taking all of these things into account, here are three exercises that I found a while back and use to help figure out character motivations:

1. Real People as a template: 
Make a list of 5 people you know really well. Beside each, make notes about how they:
react to stress
experience happiness,
treat other people.
After that, list what motivates each of these behaviors. Try to be as factual as possible, drawing from things you know; for things you’re unsure of, use common sense to hypothesize.
A person might make it their goal to treat others with respect because of religious beliefs, or maybe because they were disrespected in the past. Someone might react poorly to stressful situations because they have a deep-seated fear of failure, stemming from a past experience.
2. Characters from Literature:
List 5 characters from literature and what motivated their actions throughout their respective stories.
For example, Shakespeare’sHamlet. His thoughts are motivated by revenge (because his uncle secretly killed his father), along with anger, sadness and confusion (because his mother married his uncle so soon after his father’s death).
Add to this a host of other factors, and you have a well-developed character you can understand.
3. Self reflection: 
Write paragraphs to describe
 your most frightening experience
 your happiest experience,
your most stressful experience, and how you reacted to each situation.
After, list all the factors that motivated your behavior. How is your personality shaped by your motivations?

During the story (Or role play) it is important to remember these character motivations when your character makes choices.  That is really what this is about; identifying the motivations that make your character act the way that they do.  
During the plot, motivations may change, and should actually shift for the character to develop, but never all at once and never out of the blue.  Still the back story that drives your characters motivations will always be part of them.  
For instance; I write a character whose past has made her a survivalist but over the course of a year she shifts to protection of the family that she has developed.  However this took a full year to happen and her motivation of survival was never put on the back burner.  Instead it just expanded to protection of the group and not just herself.  Her fear of lose over this new family is what really drives her.
And there you have it: Keeping your character consistent through their motivation.

uneditededit:

Character Motivation and Consistency:  

So lets take a moment to talk about character consistency.  This is something that I find a lot of people have a hard time with and a lot of it has to do with the actual development of the character in itself.  When making a character, we pick out traits and experiences that define our character.  All of these things including flaws and talents are important but something that people tend to forget with picking out a character is what their motivation is.  

Author Orson Scott Card reminds us “We never fully understand other people’s motivations in real life.  In fiction, however, we can help our readers understand our characters’ motivations with clarity, sometimes even certainty. This is one of the reasons why people read fiction—to come to some understanding of why other people act the way they do.”

Why is Knowing Motivation Important in Writing?:

This essentially, explains to us why characters act the way they do.  Choices are determined by the motivation of the character.  They are a guide in the choices they make because where they want to go or what they want determines what choices they are going to make.  Very very VERY seldom does anyone make a choice at random. By knowing your characters primary motivation, the choices that they make will remain consistent (Even if they are not the ‘right’ choices.  

Basic External and Internal Motivations:  

EXTERNAL: 
Bold-face is obverse aspect (stuff in parens = goals, effects, or other association)

  • Survival/safety; Fear of the world (food, water, escape from danger)
  • Physical comfort; gluttony (shelter, warmth, good food, health)
  • Pleasure; hedonism (sex, great food, culture, games)
  • Dominance; tyranny (power, social standing, competition, respect)
  • Acquisitiveness; greed (wealth, materialism, collecting, excellence)
  • Curiosity; voyeurism (learning, searching, investigating)
  • Mastery; perfectionism (excellence, conquest, discipline, achievement)
  • Reproduction; profligacy (children, creativity, family-building)


INTERNAL:

  • Autonomy; isolation (self-sufficiency, freedom, non-confinement)
  • Affiliation; conformity (security, cooperation, loyalty, clan)
  • Love; lust/ownership (connection, passion, sex, mirroring, approval, giving)
  • Revenge; justice (righting wrongs, recognition of grievance, vengeance)
  • Guilt; denial of guilt (responsibility, shame, punishment, redemption, forgiveness)
  • Identity; self-centeredness (self-esteem, self-knowledge, self-protection)
  • Surcease; conflict avoidance (peace, escape from anxiety, death)
  • Spirituality; fetishism (religion, transcendence, transformation)
  • Growth; decay, aging (learning, maturation, wisdom)
  • Ambition; insecurity/anxiety (fear of failure, inferiority, stress)
  • Vindication; rationalization (success, proving self, apology)

The Difference in between a Goal and Motivation:

The goal is like the flower… the motivation is the roots.

The goal is the outward manifestation of the motivation. It is concrete, measurable, and specific. 
You don’t know when you’ve fulfilled the motivation: “I want success” isn’t measurable– what’s success?  But you know when you’ve achieved a goal:  ”I want to be on the New York Times bestseller list–” That’s measurable. You’ll know when you reach it.

Just keep in mind that while the goal is the external manifestation of the motivation, the connection is not always a straight or clear one.  You can have a goal that is destructive and against your true motivation– “looking for love in all the wrong places” is an example. 
Or you can have a laudatory goal for a selfish or twisted motivation– “I want to be first in my class to show my father up!”

Motivation is the past; Goal is the future; Conflict is the present.

Distinguish between MOTIVATION and ACTION:

Remember that motivation exists to inspire the character to make choices and take actions.  If you’ve been told your protagonist is “too passive”, it’s likely what’s lacking is motivation that leads to action. 

Every action, however small, should be motivated.  If the motivation is obvious, then you might not have to show it (we assume that she’s running from that tiger for survival). 

Compare the external (obvious) motivation to the goal and/or actions.  If they don’t match, an internal motivation is probably in force. What hidden desire or fear is influencing actions? 
An alternative reason for motivation/action mismatch: You’re trying to make an original character act in stereotypical ways.

And keep this in mind: 
Heroism and villainy are in the action, not the motivation.  Heroes do heroic things, they don’t just intend to do them.  And villains do bad things even if they have the best of intentions.

Taking all of these things into account, here are three exercises that I found a while back and use to help figure out character motivations:

1. Real People as a template: 

Make a list of 5 people you know really well. Beside each, make notes about how they:

  1. react to stress
  2. experience happiness,
  3. treat other people.

After that, list what motivates each of these behaviors. Try to be as factual as possible, drawing from things you know; for things you’re unsure of, use common sense to hypothesize.

A person might make it their goal to treat others with respect because of religious beliefs, or maybe because they were disrespected in the past. Someone might react poorly to stressful situations because they have a deep-seated fear of failure, stemming from a past experience.

2. Characters from Literature:

List 5 characters from literature and what motivated their actions throughout their respective stories.

For example, Shakespeare’sHamlet. His thoughts are motivated by revenge (because his uncle secretly killed his father), along with anger, sadness and confusion (because his mother married his uncle so soon after his father’s death).

Add to this a host of other factors, and you have a well-developed character you can understand.

3. Self reflection: 

Write paragraphs to describe

  1.  your most frightening experience
  2.  your happiest experience,
  3. your most stressful experience, and how you reacted to each situation.

After, list all the factors that motivated your behavior. How is your personality shaped by your motivations?

During the story (Or role play) it is important to remember these character motivations when your character makes choices.  That is really what this is about; identifying the motivations that make your character act the way that they do.  

During the plot, motivations may change, and should actually shift for the character to develop, but never all at once and never out of the blue.  Still the back story that drives your characters motivations will always be part of them.  

For instance; I write a character whose past has made her a survivalist but over the course of a year she shifts to protection of the family that she has developed.  However this took a full year to happen and her motivation of survival was never put on the back burner.  Instead it just expanded to protection of the group and not just herself.  Her fear of lose over this new family is what really drives her.

And there you have it: Keeping your character consistent through their motivation.

msadagal:

THE WAY I COLOR the lazy style :v

dolltutorials:

attlebridge:

My latest Junk Doll project; an old Volks F-05 (now F-03).

You know my secrets about de-yellowing resin; now I must kill you.

…just kidding! Spread the word and try it yourself. :)

Great tutorial, wow! Thank you so much!

peaceofseoul:

Let me know if you have questions!!!

asieybarbie:

not really much of a tutorial, but just some quick examples of how I personally play around with eyes and lips. err…as you can see, I like to go a little crazy with colors. I’m not too sure how much help this can be, but here ya go! there are probably way better tuts out there on the interwebs, lol.